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~ FOOD (New York restaurant)

FOOD was an artist-run restaurant in SoHo, New York. FOOD was founded by artists Carol GooddenTina Girouard and Gordon Matta-Clark. FOOD was considered one of the first important restaurants in SoHo. Other individuals who were involved with FOOD included Suzanne Harris and Rachel Lew. FOOD was a place where artists in SoHo, especially those who were later involved in Avalanche magazine and the Anarchitecture group, could meet and enjoy food together. FOOD was considered to be both a business and an artistic “intervention in an urban setting.” It has also been called a “landmark that still resonates in the history and mythology of SoHo in the 1970s.”

 

~ A Letter from JP Morgan CEO to Gold Diggers 

“Title: What should I do to marry a rich guy?

I’m going to be honest of what I’m going to say here.
I’m 25 this year. I’m very pretty, have style and good taste. I wish to marry a guy with $500k annual salary or above.
You might say that I’m greedy, but an annual salary of $1M is considered only as middle class in New York.
My requirement is not high. Is there anyone in this forum who has an income of $500k annual salary? Are you all married?
I wanted to ask: what should I do to marry rich persons like you?
Among those I’ve dated, the richest is $250k annual income, and it seems that this is my upper limit.
If someone is going to move into high cost residential area on the west of New York City Garden(?), $250k annual income is not enough.
I’m here humbly to ask a few questions:

1) Where do most rich bachelors hang out? (Please list down the names and addresses of bars, restaurant, gym)
2) Which age group should I target?
3) Why most wives of the riches are only average-looking? I’ve met a few girls who don’t have looks and are not interesting, but they are able to marry rich guys.
4) How do you decide who can be your wife, and who can only be your girlfriend? (my target now is to get married)
Ms. Pretty

A philosophical reply from CEO of J.P. Morgan:

Dear Ms. Pretty,
I have read your post with great interest. Guess there are lots of girls out there who have similar questions like yours. Please allow me to analyse your situation as a professional investor.
My annual income is more than $500k, which meets your requirement, so I hope everyone believes that I’m not wasting time here.
From the standpoint of a business person, it is a bad decision to marry you. The answer is very simple, so let me explain.
Put the details aside, what you’re trying to do is an exchange of “beauty” and “money” : Person A provides beauty, and Person B pays for it, fair and square.
However, there’s a deadly problem here, your beauty will fade, but my money will not be gone without any good reason. The fact is, my income might increase from year to year, but you can’t be prettier year after year.
Hence from the viewpoint of economics, I am an appreciation asset, and you are a depreciation asset. It’s not just normal depreciation, but exponential depreciation. If that is your only asset, your value will be much worse 10 years later.
By the terms we use in Wall Street, every trading has a position, dating with you is also a “trading position”.
If the trade value dropped we will sell it and it is not a good idea to keep it for long term — same goes with the marriage that you wanted. It might be cruel to say this, but in order to make a wiser decision any assets with great depreciation value will be sold or “leased”.
Anyone with over $500k annual income is not a fool; we would only date you, but will not marry you. I would advice that you forget looking for any clues to marry a rich guy. And by the way, you could make yourself to become a rich person with $500k annual income.This has better chance than finding a rich fool.

Hope this reply helps.

Signed,
J.P. Morgan CEO”

~ Films to watch this weekend

Guess Who's Coming to Dinner (1967) - IMDb

Guess Who’s Coming to Dinner is a 1967 American romantic comedy-drama film produced and directed by Stanley Kramer, and written by William Rose. It stars Spencer Tracy (in his final role), Sidney Poitier, and Katharine Hepburn, and features Hepburn’s niece Katharine Houghton.
The film was one of the few films of the time to depict an interracial marriage in a positive light, as interracial marriage historically had been illegal in many states of the United States. It was still illegal in 17 states, until June 12, 1967, six months before the film was released, and scenes were filmed just before anti-miscegenation laws were struck down by the Supreme Court in Loving v. Virginia.

Penfield was a girls school in 1955. The curriculum ranged from Latin to Etiquette, from Shakespeare to Field Hockey. Abigail is one of the new girls coming in to learn about these and other subjects. Coming from a well to do family, she hopes to be the school’s best student. Just as she is getting started in the school, she meets Michael, a male student in the school. Soon the two fall deeply in love, but their relationship becomes challenged by those around them, leading to difficulties and tragedy.

~ Claes Oldenburg’s The Store – 1961

In the winter of 1961, Oldenburg circumvented the practice of selling art through a gallery by opening a storefront on the Lower East Side of Manhattan and selling his work there. Among the unorthodox, eclectic offerings were sculptures of undergarments and slices of blueberry pie and other pastries made out of painted plaster. To advertise this bold endeavor, Oldenburg created business cards and stationery as well as posters such as the one on view here. Modeled after a poster the artist saw in a Puerto Rican neighborhood of New York, it retains a few Spanish words. A milestone of Pop art, The Store heralded Oldenburg’s interest in the slippery line between art and commodity and the role of the artist in self-promotion.

~ ‘The Batman’: The Riddler’s Easter-Egg Website “Seized” by Gotham Police 

A website connected to the marketing campaign for Matt Reeves’ The Batman went through a new change, as the domain has been “seized” by the Gotham City Police Department. The “rataalada” website was initially a secret domain that offered fans the opportunity to talk to The Riddler (Paul Dano), solve puzzles, and get small rewards for finding the correct answer to the villain’s questions. While the puzzle game is now offline, due to its fictional seizure by the GCPD, the sudden change on the website might tease Warner Bros. is ready to announce some news about The Batmanuniverse.

~ On Kawara – Today Series/Date Paintings

On Kawara, MAY 20, 1981 (“Wednesday.”). New York. From Today, 1966–2013. Acrylic on canvas, 18 x 24 inches (45.7 x 61 cm). Pictured with artist-made cardboard storage box, 18 5/8 x 25 x 2 inches (47.3 x 62.5 x 5 cm). Private collection. © On Kawara. Photo: Courtesy David Zwirner, New York/London

On January 4, 1966, On Kawara began his Today series, or Date Paintings. He worked on the series for nearly five decades. A Date Painting is a monochromatic canvas of red, blue, or gray with the date on which it was made inscribed in white. Date Paintings range in size from 8 x 10 inches to 61 x 89 inches. The date is composed in the language and convention of the place where Kawara made the painting. When he was in a country with a non-Roman alphabet, he used Esperanto. He did not create a painting every day, but some days he made two, even three.

The paintings were produced meticulously over the course of many hours according to a series of steps that never varied. If a painting was not finished by midnight, he destroyed it. The quasi-mechanical element of his routine makes the production of each painting an exercise in meditation. Kawara fabricated a cardboard storage box for each Date Painting. Many boxes are lined with a cutting from a local newspaper. Works were often given subtitles, many of which he drew from the daily press.

Kawara’s choice of dates appears to follow no overall principle. Some dates may have been personally or historically significant. Above all, however, the Today series addresses each day as its own entity within the larger context of the regularized passage of time. The series speaks to the idea that the calendar is a human construct, and that quantifications of time are shaped by cultural contexts and personal experiences.

After the first year, Kawara found that he had no more room in his studio to hang them and began—the story goes—having nightmares about the Date Paintings. A few months after Kawara began constructing storage boxes, he began adding newspaper clippings from the date on which the painting was painted. While these have been displayed with the paintings over the years, Kawara did not consider these part of the artworks themselves.

At the same time, the boxes were more than just a place for the artist to store his prolific output. This is very Japanese. You have a scroll painting, and you unroll it, and you roll it back, and you store it. He didn’t make it to be presented. It’s more like a scientist who tries to find something out and then publishes it. And the form, the way he publishes it, is part of the research.

~ Matthias Poledna -Imitation of Life, 2013

Questioning the very essence of Disney’s historical hold on traditional character design, Imitation of Life uses actual Disney animators to create a musical, filled with familiar surroundings, animals, and characters we think we’ve seen before, once upon a dream. We realize, we’ve been unknowingly taught to think of traditional animation through the eyes of Disney. The unnamed character dances through the film, singing to the birds like Sleeping Beauty, and taunting us to figure out what significance this world holds and the words he sings. The song feeling just as familiar as the animation. What could possibly be the story and origin of this little donkey sailor.

Mathias Poledna
Imitation of Life
35mm color film with optical sound; edition number five of five, plus 2 artist’s proofs
3 min. loop
2013

~ Werner Herzog Eats His Shoe

Werner Herzog Eats His Shoe is a short documentary film directed by Les Blank in 1980 which depicts director Werner Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film Gates of Heaven. The film includes clips from both Gates of Heaven and Herzog’s 1970 feature Even Dwarfs Started Small. Comic song “Old Whisky Shoes”, played by the Walt Solek Band, is the signature tune over the opening and closing credits.